Odds and Sods: Dead Girl (Jenny Spain), Intruder, Inferno, Hanger, Fuga, Demoniacs, Ironmaster, Immoral Women, Hands of Steel, Gutterballs

DEAD GIRL

GUTTERBALLS

ELANORE VALLONE  (FUGA)

GUTTERBALLS

GUTTERBALLS

GUTTERBALLS

GUTTERBALLS

GUTTERBALLS

GUTTERBALLS

HANDS OF STEEL

HANDS OF STEEL

HANDS OF STEEL

HANDS OF STEEL

IMMORAL WOMEN

IMMORAL WOMEN

IRONMASTER

IRONMASTER

BLOODSUCKER CONDUCTS THE DANCE

BLOODSUCKER CONDUCTS THE DANCE

DEAD GIRL

DEAD GIRL

DEMONIACS

DEMONIACS

DEMONIACS

 

ELANORE VALLONE (EROTIC ESCAPE)

Fuga Scabrosamente Pericolosa  aka Erotic Escape

HANGER

HANGER

HANGER

INFERNO

JENNY SPAIN (DEAD GIRL)

INTRUDER

JENNY SPAIN (DEAD GIRL)

JENNY SPAIN (DEAD GIRL)

JENNY SPAIN (DEAD GIRL)

JENNY SPAIN (DEAD GIRL)

Mixed Bag

Adult DVDs

Creep and other Horrors

RISE OF THE GARGOYLES

MASSACRO

Another one of the film that is clipped into CAT ON THE BRAIN. This is the nazi movie that Fulci is working on that causes the German press to burst into an all out orgy or something.
Basically, the plot of this one is that a ruined villa in France is haunted by a reel of film. The film was shot by a young Nazi during a horribly unsexy orgy. There are hints of all sorts of depravity, fetish play, and drug use. And terrible dancing. Oh, the dancing. The Villa is bombed shortly after the orgy. Maybe the same time it is going on, the next morning, something. It doesn’t matter.
When the compact European car full of twenty somethings buzzes on-screen, it is only a matter of time before these nitwits prove themselves to be honry dorks I could not wait to see killed by ghost Nazis or whatever.
Anyway, these jerks get lost. Find the abandoned villa. Break in. Only to find the place strangely set up for occupation. The candles burn, the dining room is filled with piping hot food, the records still play. Then one of these euro-dweebs plays a film. The film. Next thing you know everyone is drunk, one of the girls is a lesbian, and chaos ensues as a man emerges from a mirror.
He is the young Nazi filmmaker and he has come to make your deepest fanaties come true. Or something. The plot is stupid. But the dubbing is marvelous. And by that I mean it is badly done to humorous effect. The nudity lopsided and the gore non-existent – save for the sloppy chest effect which is so bad it hurts.
I don’t know about this one, folks. Mainly because the ending is sooooo lame.

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Erotic DVDs

 

Doris Arden, Ehemänner-Report 1971

Liane aka Marion Micheal

Marion Michael

Dutch postcard by Gebr. Spanjersberg, Rotterdam, nr. 1009. Photo: Ufa.
German film actress and singer Marion Michael (1940-2007) was a one hit wonder as Liane, the jungle girl. The blond beauty has become an icon of the German cinema as a female Tarzan.
When she was only 15, Marion Michael was selected out of allegedly 12,000 entries for the lead in Liane, das Mädchen aus dem Urwald (1956, Eduard von Borsody). This adventure movie was largely shot on location in Africa. The story is about a girl who is discovered by an expedition group (which includes Hardy Krüger) in the African jungle. A tribe adores her as a goddess. It turns out that she is Liane, the long lost granddaughter of a rich shipowner in Hamburg. Although Michael appeared topless during the first half of the movie, she was acceptable for family audiences as the nature child with no obvious erotic suggestiveness. The movie was a huge box office hit, but unfortunately this success would not be matched by any of her other films.
Marion Michael played next in the comedy Der tolle Bomberg (1957, Rolf Thiele), the sequel Liane, die weiße Sklavin (1957, Hermann Leitner) and the crime film Bomben auf Monte Carlo (1960, Georg Jacoby) with Eddie Constantine. During the shooting of Bomben auf Monte Carlo she had a car accident that left her face temporarily scarred. She recovered and returned to acting in Schlußakkord (1960, Wolfgang Liebeneiner), the Schlagerfilm Davon träumen alle Mädchen (1961, Thomas Engel) and Jack und Jenny (1963, Victor Vicas), but her luck had faded. The following decade she mainly worked for theatre and tv. She suffered a severe depression and retired from acting in 1976. For a while she worked as a saleswoman and in 1979 she took the unusual step of moving from West to East Germany, where she worked as a synchronisation assistant for tv. Only occasionally she acted in films such as In Hassliebe Lola (1995, Lothar Lambert) and Blond bis aufs Blut (1997, Lothar Lambert). Her life became the topic of a tv musical, Liane (1996, Horst Königstein). In 2007 she died of heart failure at the age of 66.